Picture heavy post.
Time for the (very overdue) second post in my designer spotlight series! This time I am focusing on Colleen Atwood. It was hard not to just post costumes from all the Tim Burton films she’s worked on, because their collaborations are always stunning, but I managed to pick just two Burton films for this post. I’ve mostly looked at one costume per film to keep it brief(ish). This post will be just as picture heavy, but may be a little lighter on text than the last one as I’m very tired today.
Colleen Atwood, b. 1948 in Washington, has been working in movies since the early 1980s. She has been nominated eleven times for an Academy Award and has won three times, including for Chicago (2002), which is one of my personal favourites. Her filmography is extensive and includes many of my favourite film costume moments.
I’m going to work backwards, chronologically, through the five films I’ve chosen, starting with Into the Woods. All of the costumes in Into the Woods are gorgeous and evocative but it’s no surprise that Little Red Riding Hood’s costume caught my eye the most. (I also love the wolf’s zoot suit, reminiscent of the wolves in Tex Avery cartoons). Red and light blue is one of my favourite colour combinations and the contrast between the puff-sleeved dress and cape is particularly striking (especially against the darkness of the woods). You can just see some of the details on the hood in the middle image, above, like the cutout designs and soft scalloping around the edge.
Next is Snow White and the Huntsman. While I adore the redesign of Snow White’s look into something quite practical, it’s Ravenna (Charlize Theron) who wears the most elaborate and fun costumes. I absolutely adore her wedding gown, with the skeletal-like cage around her shoulders. While the costume is undoubtedly beautiful, I like that it’s not soft as we usually think wedding gowns should be. It hints at Ravenna’s journey and nature that we see revealed. In an interview, Atwood says ‘there’s always an element of trapped death in her costumes, such as the skeletal cage around her shoulders in her wedding costume.’